Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe when you look at the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin regularly encountered censorship from the Polish Communist regime regarding the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility and also the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made films which were seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

Among the biggest retrospectives of his strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new restorations that are digital imported movie images. The show showcases most of Szulkin’s features, including his audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining associated with H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of a nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .

Presented in collaboration because of the Polish Cultural Institute nyc.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are also $15; $12 for pupils, seniors (62+), and people with disabilities; and $10 for movie at Lincoln Center people. Save utilizing the purchase of three seats or maybe more.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 West Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, therefore the notion of the family that is nuclear.

Preceded by: brand New digital renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is futile in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet happens to be therefore wonderful that only prisoners can be used for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for a apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic world, where he could be welcomed because of the populace as a “hero,” an ignominious honor, he quickly learns, that accompany a many barbaric fate. Using the film’s accordingly nonsensical name from the babble of their child child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, boffins make an effort to produce an innovative new, flexible battle of people. an apparently ordinary item for the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, was known as a precursor to Blade Runner , but its name additionally appears back into an even more ancient myth of creation and morality.

Preceded by: brand New electronic restoration The Gal therefore the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter because of the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm

Brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. These are generally spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth http://bestbrides.org/ukrainian-brides/ (Jerzy Stuhr) while he tries to push away total collapse. Doing work in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

brand brand New electronic renovation The War associated with Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with all the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) since the vocals of these 1984 -esque propaganda machine. But once Iron dares to set off message, he makes an enemy also more than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War of this Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm